“Oliver!” The Musical

Based on Charles Dickens’ classic novel “Oliver Twist”, this Broadway musical was first premiered in London on June 30th, 1960. Written by British composer and playwright Lionel Bart, “Oliver!” was an instant hit, receiving critical

Based on Charles Dickens’ classic novel “Oliver Twist”, this Broadway musical was first premiered in London on June 30th, 1960. Written by British composer and playwright Lionel Bart, “Oliver!” was an instant hit, receiving critical acclaim and becoming a commercial success. Throughout the years it began to win several prestigious awards, including a Grammy Award for the show’s cast recording, the Tony Award for Best Original Score, and the Tony Award for Best Author of a Musical.

The one and only Oliver Twist

Of the many songs within this musical some have become timeless classics, such as “Consider Yourself”, “Food, Glorious Food”, and “I’d Do Anything”; and with any musical, comes dancing. Choreographed by Malcolm Clare in London, then Onna White on Broadway, numerous modern revivals have helped keep “Oliver!” current with enduring popularity.

Today, audiences around the world get to experience this unique live performance at community and school theaters. I’ve even seen a rendition during the Macy’s Day Parade on Thanksgiving morning. One of the reasons “Oliver!” resonates with small towns worldwide is its social injustice theme, along with the desperate search for a family to belong to, while trying to escape poverty.

This was the first time I’ve ever seen “Oliver!”, and one of the first live plays I’ve been to in years. There is something to be said about sitting in a live audience without a projector behind you and a silver-screen obstructing your view, but rather fellow talented human beings as your sole entertainment for a solid two and a half hours. In fact, some of these actors and actresses were mere grade-school kids, but had an amazing voice and stage presence, with the energy to fill the room.

Twist and turns at the Community Theater

My husband and I booked our tickets online, selected our seats in this moderately sized Riverside Community Theater, and showed up not knowing what to expect. Walking in, we immediately noticed the crew had already decorated the foyer with “Oliver!” memorabilia to help set the mood and get the audience excited.

Sitting down and getting settled, I realized there were a lot of parents and family members in the audience cheering on their little star. This alone created such a sense of pride amongst everyone that it was unmistakable to not feel the positive energy in the room.

Overall, we loved the singing and dancing, and the story line and stage props. This reminded us that we need to go back to basics and set aside time for live performances, especially in small community theaters like the one in Riverside. Founded in 1978, and with the aim at creating a space for local residents to engage in theater arts, the Riverside Community Theater is a place where individuals of all ages and backgrounds can come together to participate in, support and enjoy theatrical productions. In fact, performers would put on shows at various spaces around Sioux City until 1986 when the theater found its home. Located in the former Sioux City Municipal Auditorium, this building is a historical artifact within the city’s cultural heritage. Built in 1928, this structure itself is a landmark, and the theater’s presence has contributed to its continued relevance and use within the community.

This commitment to community extends beyond actors and performers, but to also volunteers, directors, designers and supporters. In conjunction with local arts organizations and schools, the Riverside Community Theater has led workshops, educational programs and joint productions to enrich the cultural landscape of Sioux City. Finally, you can view more of their schedule on their website (https://scctheatre.org/) and stay up to date via their Facebook page (https://www.facebook.com/siouxlandtheatre). I know we are already looking forward to the holiday season and what’s to come.